EVAN HAUSE
WORKS FOR PERCUSSION
SOLO
Circe (2000) for 5-octave marimba played with 6-mallets
(Also available as marimba/vibraphone duo)
Duration: 10:00
Format: Engraved 11x17" landscape, 8 pages
History: Solo Commissioned and Premiered by Rebecca Kite; Duo version premiered by Evan Hause and Chris Nappi
Fields (1991) for 5-octave marimba (4 mallets)
Duration: 14:00
Format: MS 11x17" landscape
History: Composed for Michael Rosen; Premiered by Loren Mach, 1991; Recorded by Filippo Lattanzi on DAD Records, 2002
Buy: Hal Leonard
SOLO with TAPE
From the Ghetto of the Crystal Imps (1994) for traditional and found percussion with 4-channel tape
Duration: 8:30 Format: MS 11x17" landscape, 8 pages; tape part available in stereo (CD or DAT) or 4-track 1/4" reel-to-reel History: Created at the University of Michigan Electronic Music Studios; Premiered by Alison Shaw, 1994 1/4" 4-track tape part on rental
PERCUSSION QUARTET
Elephant Breath (1997) for four percussionists (one is drumset), no mallets
Duration: 5:00
Format: Score and Two Parts -- 8.5x11"
History: Composed for the Pittsburg State University Percussion Ensemble; Premiered by same, 1997
Buy: Hal Leonard
PERCUSSION SEXTET
Air-Rounds-Parade (1994)
Duration: 18:00
Format: Score and Parts are both MS 11x17" landscape, score is 24 pages
History: Commissioned and Premiered by the Oberlin Percussion Group, 1995
Buy: Steve Weiss Music
CONCERTO
Concerto for Marimba and Orchestra in One Movement (1994) for 5-octave marimba
(click on title for more information)
Duration: 17:00
Instrumentation: 2222 2220 timp, perc(2) hp str
Format: Orchestral score and MSS piano reduction (11x17 landscape) for sale by composer. Parts on rental from E. B. Marks.
History: Premiered by Loren Mach with the CCM Philharmonia conducted by Wojciech Michniewski, 1996
Buy the Piano Reduction: Subito Music Corp.
Into the Mists (1998/2006) for mixed ensemble
MIXED DUO
Night Voyages (2009) for Marimba/Vibraphone and Piano
Street Jam (2005) for Bongos and Trumpet
Buy: Hal Leonard
Coil (2000) for Percussion and Piano
Duration: 12:30
Format: Engraved/MS 11x17" landscape
History: Premiered by Blair McMillen and Nathan Davis at the Yellow Barn Festival, 2000; Recorded by Sole Nero (Anthony DiSanza and Jessica Johnson for Equilibrium, 2004)
Buy: Steve Weiss Music
RKJVL's New Idea (1989) for Marimba (4 1/2 or 4 1/3 octave) and Violin
The Mechanical River (1990) for Marimba (4 1/3 octave) and Bassoon
Duration: 8:00
Format: MS 11x15" landscape
History: Premiered by Chris Wabich at Appalachian State University, 1990
MIXED TRIO
Pedestrians (1995) for two Percussion and Piano
Duration: 4:30
Format: Engraved, 8 1/2x11" portrait, score and 2 parts
History: Premiered at University of Michigan by the composer, Matthew Sexton and Carter Pann, 1995
Buy: Steve Weiss Music
Jugglers in a Rotating Orchard (1993) for 5-octave marimba, Electric Guitar, and Violin
Duration: 7:30
Format: MS 11x17" landscape, score only; required 3-track multi-tempo click track available on demand
in multi-track cassette, ADAT or reel-to-reel format
History: Premiered at University of Michigan by the composer, Jeff Plankenhorn and Daniel Roumain, 1994
Two Songs (1994) [Texts: Terren Ilana Wein] Bass Marimba, Cello, Tenor (or Medium Voice)
Duration: 4:00 + 4:00
Format: MS 11x17" landscape
History: Premiered at University of Michigan by composer, Nicole Charboneau, and Erik Santos, 1994
MIXED QUARTET
Tiki Alla Turca (2010) Clarinet, Violin, Cello, and Percussion (hand drum, ad lib.) 4'
Nocturnes (1988) Percussion, Electric Bass, Piano, Viola (and offstage Flute, Piccolo, Alto Flute)
Duration: 10:00
Format: MS 11x15" landscape
History: Premiered at Oberlin Conservatory by Chris Anthony, composer, Andrew Harold, and Caroline Coade
MIXED SEXTET
Short Stories (1990)
Duration: 8:00
Instrumentation: Violin, Viola, Trumpet, Bass Clarinet, Marimba/Bass Marimba (or 5-octave marimba), Celesta/Piano
Format: Score-MS 8.5x11" portrait; parts cut-and-pasted from score
History: Premiered at International Trumpet Guild Conference, Rotterdam, The Netherlands, 1992
Metal Rites (1990)
Duration: 8:30
Instrumentation: Violin, Cello, Flute/Piccolo, Clarinet, Piano, Percussion
Format: Format: Score-MS 8.5x11" portrait; parts cut-and-pasted from score
History: Composed for reading by the Aspen Contemporary Ensemble; Premiered by students at the University of Michigan, 1991
E-Eye (1988)
Duration: 11:00
Instrumentation: Electric Guitar/Vocal, Electric Bass/Vocal, Harp/Vocal, Piano/Vocal, Two Percussion/Vocal
[Voice parts may optionally be given to 6-member or larger mixed chorus]
Format: Score-MS 11x17" landscape; parts cut-and-pasted from score
History: Premiered at Oberlin Conservatory by composer, Anders Dahlberg, Trina Struble, Kelly Conley, Loren Mach and Will Chase, 1989